Surround sound works because of the four ways humans perceive sound: audible, binaural, spatial, and cognitive. Students will also be expected to prepare material to sing for each class, allowing the practical application of techniques to be experienced in class, in real time. Brands generate loyalty, trust and familiarity with consumers. And in the 1960s he became the chief innovator behind funk music, creating the singing‐and‐dancing template that inspired later‐day luminaries like Michael Jackson, Usher and Justin Timberlake. This course is suitable for novice/beginner performers as well as more advanced performers who might have already have secured recording/publishing deals. As we read texts like Michael Azzerad's Come as You Are and watch documentaries and music videos, we’ll investigate broader issues of subculture and bohemia, and their relationship to each other as well as to the pop mainstream. Visiting students and non-majors are invited to take classes during January Term, Spring at Tisch, and Summer. Readings, class lectures, guest speakers, video and audio clips will answer the questions, What was Motown Records? Byrne’s views on the role of music and current state of the music business are expressed in his latest book How Music Works; it will serve as a primer to this course, along with a wealth of other readings, music and documentaries that relate to the world the Talking Heads and David Byrne have created. In addition, we will discuss the aesthetic strategies of Andy Warhol, who influenced everything from rock music to cinema and art. Experience the world in a whole new way. But, what does all of this mean? After an introduction to the history of copyright laws developed in the 19th century, each week will be devoted to deconstructing the songs in question and their production, the specifics of the legal case/trial, and both the impact and meaning of the verdict within the history of copyright law in the U.S.  Cases that we will cover include disputes around songs such as “Ta Ra Ra Boom De Ay” from turn-of-the-twentieth century, to “Hound Dog” (Big Momma Thornton vs. Elvis Presley) and “Come Together” (Chuck Berry vs. We'll examine the development of semi-popular music in the 1970s and its relationship to popular music; the development of the self-sufficient independent rock underground of the 1980s and its rejection of popular music; and Nirvana’s explosion into the mainstream in 1991 and popular music’s embrace of the rock underground. With the above practice, stu- dents will grow significantly towards a more comfortable place on the stage, in their own body, and in communication with others. Prerequisites: REMU-UT 1102 with a grade of C or better. The good news is that there is money out there and there are more opportunities than ever for music entrepreneurs to fund their start up music ventures. This class is designed to put aspiring performers and recording artists through a compressed development workshop. Low Residency MFA Workshop in Paris. We will study the legal cases themselves, along with invited (legal) scholars and guests, to investigate how copyright law and ideas of intellectual property in music and sound within popular culture have developed through these cases. Having visited the set of Broadway musicals, it is clear that programming and running laptops to coordinate music, visuals and lights is becoming integral to musical theater performances as well. The Nordic countries have been at the forefront of this technological trend and has been a the testing ground for the majors over the past ten years with services like Spotify and Wimp/Tidal. We’ll consider how these intellectual property issues culminated in battles over the paradigm-shifting file sharing software that prefigured today's music streaming systems. And with the grand opening of our Brooklyn facility at 370 Jay Street - NYU's new home for engineers, research scientists, game designers, media artists, and musicians to all interact and collaborate under one roof - we will be able to contribute to NYU's goal of becoming the world center for creative engineering and technology innovation. The course will cover the Head’s history from the heyday of punk and New Wave; to their experimentations with funk, African music, and side projects that delved into disco and hip-hop (Tom Tom Club) and ambient, electronica and musique concrete (Byrne’s groundbreaking collaboration with Brian Eno, My Life In The Bush of Ghosts). Takahiro Miyashita The Soloist. The future of how we make and consume art and entertainment is sure to be impacted by our controversial relationship to increasingly intelligent — and potentially sentient — bots and machines. May 2015 in Summer Programs. We’ll extract the great lessons from the pieces we study and utilize our production skills to create videos, on-stage visuals, and songs of our own. During the first year of study, you will be introduced to the art and business of creating and selling recorded music. Pre-requisite: REMU-UT 1003 Producing the Record: Side A and Producing Music with Software & Midi, both with a grade of C or better. We study how and why the fields, fiefdoms, and empires built by these impressive and sometimes controversial icons have transformed the course of popular music. Through a class lab, we will analyze various potential problems and scenarios, and develop techniques and skills for forming solutions, simulating the artist management experience. This class will study the latest constructive and destructive disruptions in our industry through case studies and conversations with guests. But his influence in that period shifted the sound of popular music; and in the decade since the passing of the Detroit-born artist, his ideas have compelled a new generation of musicians — both in the electronic and traditional realms — who have drawn inspiration from Yancey’s music and seized upon his rhythmic and compositional ideas, chief among them a unique conception of time. Prerequisite: REMU-UT 1215 The Business of Music: Industry Essentials, with a grade of C or better. In this course, students learn about social entrepreneurs, how they think, the problems they address, the business tools they leverage and the strategies they employ to create social change. From a business perspective, students will also learn about the significance of shifting regional and national trends in music radio through the 1980s (as measured by “R&R” magazine ratings and ad rates). Undercover. Focus is given to traditional and nontraditional marketing channels, new areas of opportunity and different ways they can be leveraged. Miles Davis—legendary trumpeter and bandleader, pioneer of multiple musical pathways, and enduring icon of all that is hip—stands as one of the most influential and revered musicians of the 20th Century. In the world of popular music, the word “soul” has come to mean so many things – a style, a sound, an attitude, a way of singing, a way of belonging. One of the top-selling and most gifted and musically versatile artists in the history of popular music, Prince remains an enigmatic and visionary multi-talented performer, songwriter and producer. Some aspire to become CEOs of record labels. Students learn key factors associated with venture success and critically evaluate their own prospects for entrepreneurship. Though her life was cut tragically short by addiction issues, Winehouse is emblematic of several trends coming together at once: the Brit-pop resurgence of the late 2000s (Lily Allen, Corinne Bailey Rae, Adele, Duffy, etc. There is a lab fee for this course. Pre-requisite for majors: REMU-UT 1215 The Business of Music: Industry Essentials or REMU-UT 1202 Introduction to Music Business, with a grade of C or better. A surround sound mix often allows for more intimate, quieter overall sound as there are more point sources to deliver unique sounds for the ear to perceive. But no one can grasp the power of ‘60s music without understanding its political and aesthetic context. The business plan, panel presentation, media deliverables, and any final performances will be workshopped and completed as appropriate to each student’s goals. Awarded to Over 3,000 Student Projects in Research Scholarships #1. … Besides his studio albums (including his impressive curatorial contribution to the 2018 Black Panther soundtrack), Lamar has excelled at mixtapes, music videos and acting performances. In order for the budding producer to realize their potential in the studio, the ability to describe what is being heard and the skill to articulate possible audio issues is a necessity. Started in 1959 in Detroit by the songwriter and budding entrepreneur Berry Gordy, Motown Records was boldly named “Hitsville USA," and through Gordy’s leadership it lived up it its name, serving as home to such artists as Diana Ross and the Supremes, the Temptations, Mary Wells, Smokey Robinson & the Miracles, Stevie Wonder, Martha & the Vandellas, the Jackson 5, the Four Tops, and many others. Because of this, we can't merely study historical references, and we can't merely look at how things are today. Pre-requisite: REMU-UT 1106 Musicianship: Music Theory & Construction with a grade of C or better. Students are expected to assess how bedroom MIDI studios, affordable sampling technology, and the cost of commercial CDs vs. rampant bootlegging would later bring troubling new legal concerns to bear upon record companies during the 1990s. The Turtles) in 1990s hip hop, to Beyoncé’s “Baby Boy” (Armour vs. Knowles) and Robin Thicke’s “Blurred Lines” (Marvin Gaye vs. Robin Thicke) of the twenty-first century. These intensive and enriching courses are taught by Tisch undergraduate faculty. An emphasis will be placed on getting to know Pro Tools, getting inside Pro Tools, creating sessions, working with media in sessions, audio recording, audio editing, file management techniques, MIDI recording, editing techniques, mixing techniques, backups and stereo mix-down. This course focuses on the business of music publishing, which has served as a powerful engine fueling the growth of the music business since the first decade of the 20th century. We will cover the fundamentals of the software, explore techniques to program beats, chordal and melodic ideas, as well as cover creative workflow - how to use Ableton to quickly generate ideas for producers and songwriters. And others are performing artists or music critics who want to develop their business acumen so that they might build a successful brand. Digital instrumentation and storage mediums comprehensively transformed the dominant sound of '80s studio recordings and remixes. As we narrow our focus to study this album – its roots, its creation, the difficulty with its release, its triumph – students will be introduced to the legacy of Motown Records. Prerequisite: None. Created in the early 1970s, Dub is an often overlooked Jamaican music genre (and an off-shoot of reggae) that was among the first to use the recording studio itself as an instrument; and the DJ’s who “toasted” atop the re-imagined, deconstructed tracks became the inspiration for America’s first hiphop DJ’s, many of whom were of Jamaican extraction.